Country Lifestyle
February 2018 Profile: Kathryn Leitner
Drawing Inspiration
By Laci Jones
Grasping several colored pencils in her left hand and one bright orange pencil in her right hand, western artist Kathryn Leitner peered over her glasses at her latest work of art. Periodically glancing at the image of a horse displayed on the computer screen, the artist gracefully added another layer of color to the vibrant drawing in front of her.
Self-described as “realism,” Leitner’s art captures the western heritage by telling a story. However, her story began in eastern Montana on her grandparent’s ranch. The oldest of five children, Leitner stated her “rural roots” come from traditional ranching.
“We had chickens and a milk cow,” she added. “We had beef cattle and a little bit of hay. It was very traditional.”
All her siblings are artistic in some fashion, and Leitner is no exception. Leitner was first exposed to drawing at an early age. She recalled picking up pencil and sketchbook during her first-grade year, and her parents giving her “how to draw” books.
Two years later, the family moved from her grandparent’s ranch north of Winnett, Mont., to Lewistown, Mont. They later relocated to California during her freshman year of high school. While adjusting to the urban lifestyle was difficult for Leitner, experiencing a different culture had an impact on the young student.
“It was a culture shock, but I think you gain things from everywhere you are,” she explained. “We learned to be a lot more self-sufficient, strong and confident. You either decide you like it or you decide that you really appreciate where you came from, so it definitely made me appreciate my roots.”
Her family was supportive of her art, but the first teacher who encouraged her was her fifth-grade art teacher. Leitner developed her skill in high school art classes, describing the experience as “instrumental.” She learned different techniques, experimenting with mostly graphite. However, she also took a painting class using acrylic.
Leitner’s talents were not only with a pencil and paper; she also graduated from beauty school. In 1989, she moved with her grandmother, who relocated to western Oklahoma. The Montana native started working in a salon, and her son Justin was born in 1990. She met and married Jack Leitner three years later.
She opened her own salon at their home in 1994 west of Kingfisher, Okla. With the support of her family and the success of the beauty shop, Leitner was able to further her art. When she started her art, she initially struggled with the thought that it was a “selfish pursuit.”
“I thought you had to be famous to sell your art for a lot of money, and you really aren’t supposed to want fame,” Leitner explained. “I struggled with that, but I read a Max Lucado book called the ‘Cure for the Common Life: Living in your Sweet Spot.’ It talks about how God packs your gifts and he packs your bag and that’s what you’re supposed to use. They are your gifts; you’re not supposed to hide them.”
That book had an impact on Leitner, and she said things began to fall into place when she decided how to use her gift. She found her passion in drawing and painting the western heritage. She observed many ranchers in their everyday activities to help tell a story through her art.
“I really respect that lifestyle,” Leitner said. “It’s not easy ever, but it’s so rewarding. The chance to go out and ride with them, talk with them, spend the day with them, that’s how you’re able to tell their story.”
She works primarily from the photographs taken at different ranches including Tongue River Ranch. Leitner makes at least four trips each year to different ranches to take several thousand photos. The artist develops a relationship with all the cowboys who work on the ranches and their families.
“I always appreciate the opportunity to get material for my art,” she added. “It’s way more than that because you get to know those people, and you don’t always know how you’re going to be blessed by your gift. I can’t count the ways.”
The “beautiful opportunities” to use her gift are rewarding, but it is also a long process. From the time she takes the photos at the ranches to selling the finished art can take up to two years.
After returning from a trip, Leitner analyzes each photo and starts her sketch on vellum from several different photos. The variety of photos from the same moment helps the artist create the story she wants to tell. She has experimented with various mediums throughout her career.
“I mainly concentrated on graphite until my husband bought me a large set of colored pencils,” she chuckled. “I honestly had them nine months before I ever got the nerve to try them because it was intimidating. I always used just graphite—then all of a sudden I had all these colors.”
Leitner also began working with oils, learning from fellow artists.
“I took a class with Bob Faust from Okarche, Okla., who was giving art classes, and I started taking oil painting classes with him for quite a few years,” she explained.
The artist later took classes from Dennis Parker in Oklahoma City.
She also visited the National Cowboy & Western Heritage Museum in Oklahoma City, stating it was “the first exposure I really had to a lot of good art.” She garnered inspiration from these trips, and started participating in workshops with the featured artists including Carrie Ballantyne and Lisa Ann Watkins.
Leitner said she was inspired by watching Ballantyne because her portraits have a “feminine softness.” Watkins works with watercolor pencils, which inspired Leitner to attempt to use the medium. Leitner said watercolor pencils give the underlaying without the “graininess” of a colored pencil.
“I’ve used the watercolor pencils, but I haven’t added water to them,” she began. “I just used them in conjunction with my colored pencils. When you add the water to it, you lose a little bit of the control you have with the pencils being dry, then you have to go back over and add detail.”
Her initial watercolor pencil piece presented Leitner with a few shade challenges where she had to work to “get my lights to come back out.” Despite her initial intimidation, colored pencils are her favorite medium to work with.
“I always go back to the colored pencil because I like the detail,” the artist explained. “They challenge you a little bit more to get your values strong and your colors bright that somehow have a soft, gentle look when you’re finished. I like that.”
While the time dedicated to each piece varies, the artist said she averages 30 to 60 hours. However, Leitner said she was once hesitant to keep track of hours until she participated in a workshop with the president of the Traditional Cowboy Artists, Wilson Capron.
“He said, ‘If you really want this to be a business, you have to treat it like one,’” she recalled. “I really started being more dedicated.”
She logs her hours in a notebook, completing 12 to 18 pieces each year. This has helped her justify the pricing of each piece.
“You would think that seems like a lot of money, but I have 30, 40 or 60 hours invested in a piece,” she explained. “Some have taken two and a half weeks’ worth of work if you’re working a 40-hour week because of all the detail and all the figures.”
The artist said it was once difficult for her to stay motivated with her art. Leitner later realized staying motivated is easier with an organized workspace and structured lifestyle.
“Discipline is really important if you want to take this serious,” she added. “If I can get rid of my distractions, then it’s a part of my blessing that I get to do my art because when I’m doing it, I’m happy.”
To learn more about Kathryn Leitner and her art, pick up the February issue of OKFR!
Country Lifestyle
When Peppers Bite Back
Most of us have been there. You take a bite of something that looks harmless enough, and within seconds, your mouth is on fire. Your eyes water, your nose runs, and suddenly you’re questioning every decision that led you to that moment. Whether it’s a jalapeño that packed more punch than expected or a sauce someone swore “wasn’t that bad,” peppers have a way of keeping people humble.
There is, however, a way to measure that heat before you ever take a bite. It’s called the Scoville scale, and it’s the standard used to rank just how hot a pepper can be. The measurement is expressed in Scoville Heat Units, or SHU. The higher the number, the more heat you can expect. A bell pepper sits at zero, meaning no heat at all. Jalapeños usually land somewhere between 2,500 and 8,000 SHU, while the upper end of the scale climbs into the millions.
The system dates back to 1912, when pharmacist Wilbur Scoville developed a method to test pepper heat. His approach was simple, if not a little impractical by today’s standards. Pepper extract was diluted with sugar water until a panel of tasters could no longer detect the burn. The more dilution required, the hotter the pepper. It worked, but it depended heavily on human perception, which is far from consistent.
Today, the process is far more precise. Instead of relying on taste, scientists measure the concentration of compounds called capsaicinoids using laboratory equipment. Those numbers are then converted into Scoville Heat Units. It takes the guesswork out of the equation and gives growers, processors, and consumers a reliable way to compare peppers.
Capsaicinoids are the group of compounds responsible for heat, with capsaicin being the main contributor. Contrary to what a lot of people believe, the seeds are not where the heat lives. Most of it is concentrated in the white inner ribs of the pepper. The seeds can seem hot because they come into contact with those oils, but removing the inner ribs is the most effective way to dial the heat back while keeping the flavor.
That burning sensation you feel isn’t actually heat in the traditional sense. Capsaicin interacts with receptors in your mouth that are designed to detect pain and temperature. Your brain reads that signal as burning, even though there’s no physical damage being done at typical levels. Depending on how much you’ve had, that sensation can linger anywhere from a few minutes to well over half an hour.
One thing worth keeping in mind is that not all peppers are created equal, even within the same variety. Growing conditions, soil, weather, and maturity all play a role in how much capsaicin a pepper develops. Two jalapeños from different fields, or even different plants in the same field, can vary more than you might expect.
At the far end of the scale are peppers that push the limits of what most people would consider edible. Varieties like the Carolina Reaper have recorded levels exceeding 2 million SHU. That’s well beyond the point of casual consumption and into territory where even a small amount can be overwhelming. While some people seek that level of heat for the challenge, it’s not something to take lightly.
For everyday use, the Scoville scale is less about chasing extremes and more about making informed choices. If you know your comfort level, you can select peppers that add flavor without overpowering a dish. It also helps explain why a recipe that calls for “one pepper” can turn out very differently depending on what you pick up at the store or out of the garden.
In the end, that moment when your mouth feels like it’s on fire isn’t as mysterious as it seems. There’s a system behind it, and a little understanding of the Scoville scale can go a long way in keeping your next bite from turning into a regret.
Country Lifestyle
Pollinators on the Ranch
When most people think about wildlife on a ranch, they probably picture deer slipping through the trees, turkeys moving across a pasture or quail flushing from cover. Those species matter, and many landowners manage with them in mind. But some of the most important wildlife on a farm or ranch is much smaller. Bees, butterflies, moths, beetles, flies, wasps, hummingbirds and even bats all play a part in keeping native plants and food systems working.
Pollinators move pollen from one flower to another, which allows many plants to produce seed, fruit and the next generation of growth. That matters in gardens and orchards, but it also matters in pastures, prairies and native rangeland. According to the article provided, the United States Department of Agriculture reports that 75 percent of the world’s flowering plants and about 35 percent of the world’s food crops depend on animal pollinators to reproduce.
For Oklahoma ranchers, pollinators are more than something nice to see on a warm afternoon. They are tied to plant diversity, soil cover, wildlife habitat and the overall health of the land.
A pasture with flowers, seed-producing plants and a mix of grasses and forbs usually supports more life than a pasture with only one or two plant types. That does not mean every acre has to look wild or unmanaged. It means diversity has value. A ranch that supports many kinds of plants can also support many kinds of insects. Those insects feed birds, turkey poults, quail chicks, bats and other wildlife. Some predatory insects also help keep pest insects in check.
Pollinators are a sign that something is working. If butterflies, bees and other beneficial insects are present, the land is likely offering food, cover and seasonal blooms. If they are absent, it may be worth asking why. There may not be enough flowering plants. Grazing pressure may be too heavy at the wrong time. Herbicide use may be reducing the plants pollinators need. The issue may be drought, timing or a lack of plant variety.
The monarch butterfly is one of the best-known examples. Monarchs need milkweed because it is the only food source for their caterpillars. Adult monarchs also need nectar plants, especially during migration. Oklahoma sits in an important part of that migration route. In spring, monarchs moving north need milkweed for reproduction. In fall, monarchs moving south need blooming plants for energy before continuing toward Mexico.
That fall food source can be easy to overlook. A pasture may have plenty of grass and still offer little for a migrating butterfly if there are no flowers in bloom. Late-season plants such as Maximilian sunflower, blazing star, goldenrod, asters and cowpen daisy can make a difference. In the Noble Research Institute article, Will Moseley said their monarch monitoring showed a simple result: butterflies were found where flowering plants were present, and they were not found where flowers were absent.
That is a useful lesson for any landowner. Pollinator habitat does not have to be complicated. It starts with plants.
For ranchers, the goal is not to turn working land into a flower bed. The goal is to manage in a way that leaves room for useful plants to grow, bloom and set seed. Grazing management can help. If the same pasture is grazed hard at the same time every year, the same plants may get set back again and again. Changing grazing timing, leaving rest periods and avoiding overuse can give more plants a chance to bloom. Rotational grazing, when planned well, can benefit both livestock and pollinators.
Prescribed fire can also be useful when used carefully and legally. Fire timing matters. Burning every acre the same way at the same time can favor some plants and reduce others. Varying burn timing across years and pastures can create a more mixed plant community. That variety can help pollinators, ground-nesting birds and grazing animals.
Herbicide use is another consideration. There are times when herbicides are needed, especially for invasive or problem plants. But broad use can also remove the forbs that bees and butterflies depend on. Spot spraying, proper timing and targeted control can help landowners manage weeds while keeping beneficial plants in the pasture. Every place is different, so the best plan depends on the ranch’s goals, plant community and problem species.
Pollinators also need nesting sites. Not all bees live in hives. In fact, many native bees nest in the ground, hollow stems or cavities in wood. Leaving some undisturbed areas, standing stems, brushy edges or bare patches of well-drained soil can support native bees. A perfectly clean landscape is often less useful to wildlife than one with some structure and variety.
Water can help as well. Shallow water sources, damp soil or safe access around ponds and tanks can be useful, especially during dry weather. The key is to avoid drowning hazards. Small stones, floating wood or shallow edges can give insects a place to land.
For landowners interested in beekeeping, honey bees can become another small enterprise. A few hives may provide honey for family, gifts or local sales. Local honey often has a strong market, and bees can fit well on small acreages or larger ranches. Still, honey bees are livestock and need management. New beekeepers should start small, learn from an experienced mentor and understand seasonal care before investing heavily. The Noble article shared advice from Josh and Brook Gaskamp, who recommended getting a mentor, starting small and experimenting until finding what works.
Beekeeping is not the only way to support pollinators, though. A person can help pollinators without owning a single hive. Planting native flowers, protecting milkweed, reducing unnecessary pesticide use and allowing some areas to bloom can all help. Even fence rows, field corners, creek banks and lightly used areas can become valuable habitat when managed with pollinators in mind.
Pollinators also add enjoyment to the land. There is something rewarding about seeing monarchs on fall flowers, bumble bees working a patch of blooms or hummingbirds visiting trumpet-shaped flowers near the house. Those moments remind landowners that a ranch is more than livestock, fences and forage. It is a living system.
For many producers, the practical reason to care about pollinators is simple. What helps pollinators often helps the whole ranch. More plant diversity can mean better soil cover, more wildlife habitat, more insects for birds, more seasonal forage options and a landscape that can better handle stress. Pollinators are part of that bigger picture.
A ranch does not have to be managed only for bees or butterflies to benefit them. In many cases, good land stewardship already points in the right direction. Avoid overgrazing. Encourage plant diversity. Leave some blooms. Be careful with chemicals. Think about timing. Watch what shows up.
The smallest wildlife on the ranch can tell a big story about the health of the land. When the flowers are blooming and the pollinators are working, it is a good sign the pasture is doing more than growing grass. It is supporting life from the ground up.
Country Lifestyle
Apple Fritter Quick Bread
Total Time: 1 hour and 40 minutes
Servings: 10
2 medium apples (any type), peeled, cored & diced
1/3 cup brown sugar
1 tsp cinnamon
1/2 cup unsalted butter, softened
2/3 cup granulated sugar
2 large eggs
1 1/2 tsp vanilla extract
1 1/2 cups all-purpose flour
1 3/4 tsp baking powder
1/2 cup milk
For the Glaze:
- 1/2 cup (60g) powdered sugar
1–2 tbsp milk
1/4 tsp vanilla extract
Instructions:
Preheat oven to 350°F. Grease and line a 9×5-inch loaf pan with parchment paper.
Peel and chop apples and place in a bowl with brown sugar and cinnamon. Toss and set aside.
In a large mixing bowl, cream together butter and granulated sugar until light and fluffy. Beat in eggs one at a time, then add vanilla. In a separate bowl, whisk together flour and baking powder. Gradually add dry ingredients to the butter mixture, alternating with milk, mixing until just combined.
Next, pour half of the batter into the loaf pan, top with half of the apple mixture, then repeat with remaining batter and apples. Lightly swirl with a knife for a marbled effect.
Bake for 50–55 minutes, or until a toothpick inserted in the center comes out clean.
Cool in pan for 10 minutes, then transfer to a wire rack to cool completely.
In a small bowl, whisk together powdered sugar, milk, and vanilla until smooth. Drizzle over cooled bread.
Slice and enjoy warm or at room temperature.
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