Country Lifestyle
February 2018 Profile: Kathryn Leitner
Drawing Inspiration
By Laci Jones
Grasping several colored pencils in her left hand and one bright orange pencil in her right hand, western artist Kathryn Leitner peered over her glasses at her latest work of art. Periodically glancing at the image of a horse displayed on the computer screen, the artist gracefully added another layer of color to the vibrant drawing in front of her.
Self-described as “realism,” Leitner’s art captures the western heritage by telling a story. However, her story began in eastern Montana on her grandparent’s ranch. The oldest of five children, Leitner stated her “rural roots” come from traditional ranching.
“We had chickens and a milk cow,” she added. “We had beef cattle and a little bit of hay. It was very traditional.”
All her siblings are artistic in some fashion, and Leitner is no exception. Leitner was first exposed to drawing at an early age. She recalled picking up pencil and sketchbook during her first-grade year, and her parents giving her “how to draw” books.
Two years later, the family moved from her grandparent’s ranch north of Winnett, Mont., to Lewistown, Mont. They later relocated to California during her freshman year of high school. While adjusting to the urban lifestyle was difficult for Leitner, experiencing a different culture had an impact on the young student.
“It was a culture shock, but I think you gain things from everywhere you are,” she explained. “We learned to be a lot more self-sufficient, strong and confident. You either decide you like it or you decide that you really appreciate where you came from, so it definitely made me appreciate my roots.”
Her family was supportive of her art, but the first teacher who encouraged her was her fifth-grade art teacher. Leitner developed her skill in high school art classes, describing the experience as “instrumental.” She learned different techniques, experimenting with mostly graphite. However, she also took a painting class using acrylic.
Leitner’s talents were not only with a pencil and paper; she also graduated from beauty school. In 1989, she moved with her grandmother, who relocated to western Oklahoma. The Montana native started working in a salon, and her son Justin was born in 1990. She met and married Jack Leitner three years later.
She opened her own salon at their home in 1994 west of Kingfisher, Okla. With the support of her family and the success of the beauty shop, Leitner was able to further her art. When she started her art, she initially struggled with the thought that it was a “selfish pursuit.”
“I thought you had to be famous to sell your art for a lot of money, and you really aren’t supposed to want fame,” Leitner explained. “I struggled with that, but I read a Max Lucado book called the ‘Cure for the Common Life: Living in your Sweet Spot.’ It talks about how God packs your gifts and he packs your bag and that’s what you’re supposed to use. They are your gifts; you’re not supposed to hide them.”
That book had an impact on Leitner, and she said things began to fall into place when she decided how to use her gift. She found her passion in drawing and painting the western heritage. She observed many ranchers in their everyday activities to help tell a story through her art.
“I really respect that lifestyle,” Leitner said. “It’s not easy ever, but it’s so rewarding. The chance to go out and ride with them, talk with them, spend the day with them, that’s how you’re able to tell their story.”
She works primarily from the photographs taken at different ranches including Tongue River Ranch. Leitner makes at least four trips each year to different ranches to take several thousand photos. The artist develops a relationship with all the cowboys who work on the ranches and their families.
“I always appreciate the opportunity to get material for my art,” she added. “It’s way more than that because you get to know those people, and you don’t always know how you’re going to be blessed by your gift. I can’t count the ways.”
The “beautiful opportunities” to use her gift are rewarding, but it is also a long process. From the time she takes the photos at the ranches to selling the finished art can take up to two years.
After returning from a trip, Leitner analyzes each photo and starts her sketch on vellum from several different photos. The variety of photos from the same moment helps the artist create the story she wants to tell. She has experimented with various mediums throughout her career.
“I mainly concentrated on graphite until my husband bought me a large set of colored pencils,” she chuckled. “I honestly had them nine months before I ever got the nerve to try them because it was intimidating. I always used just graphite—then all of a sudden I had all these colors.”
Leitner also began working with oils, learning from fellow artists.
“I took a class with Bob Faust from Okarche, Okla., who was giving art classes, and I started taking oil painting classes with him for quite a few years,” she explained.
The artist later took classes from Dennis Parker in Oklahoma City.
She also visited the National Cowboy & Western Heritage Museum in Oklahoma City, stating it was “the first exposure I really had to a lot of good art.” She garnered inspiration from these trips, and started participating in workshops with the featured artists including Carrie Ballantyne and Lisa Ann Watkins.
Leitner said she was inspired by watching Ballantyne because her portraits have a “feminine softness.” Watkins works with watercolor pencils, which inspired Leitner to attempt to use the medium. Leitner said watercolor pencils give the underlaying without the “graininess” of a colored pencil.
“I’ve used the watercolor pencils, but I haven’t added water to them,” she began. “I just used them in conjunction with my colored pencils. When you add the water to it, you lose a little bit of the control you have with the pencils being dry, then you have to go back over and add detail.”
Her initial watercolor pencil piece presented Leitner with a few shade challenges where she had to work to “get my lights to come back out.” Despite her initial intimidation, colored pencils are her favorite medium to work with.
“I always go back to the colored pencil because I like the detail,” the artist explained. “They challenge you a little bit more to get your values strong and your colors bright that somehow have a soft, gentle look when you’re finished. I like that.”
While the time dedicated to each piece varies, the artist said she averages 30 to 60 hours. However, Leitner said she was once hesitant to keep track of hours until she participated in a workshop with the president of the Traditional Cowboy Artists, Wilson Capron.
“He said, ‘If you really want this to be a business, you have to treat it like one,’” she recalled. “I really started being more dedicated.”
She logs her hours in a notebook, completing 12 to 18 pieces each year. This has helped her justify the pricing of each piece.
“You would think that seems like a lot of money, but I have 30, 40 or 60 hours invested in a piece,” she explained. “Some have taken two and a half weeks’ worth of work if you’re working a 40-hour week because of all the detail and all the figures.”
The artist said it was once difficult for her to stay motivated with her art. Leitner later realized staying motivated is easier with an organized workspace and structured lifestyle.
“Discipline is really important if you want to take this serious,” she added. “If I can get rid of my distractions, then it’s a part of my blessing that I get to do my art because when I’m doing it, I’m happy.”
To learn more about Kathryn Leitner and her art, pick up the February issue of OKFR!
Country Lifestyle
A Better Fire Pit Season
By Ann Asher
The first cool evenings of September make sitting outside sound good again. After months of Oklahoma heat, a fire pit, a few chairs and an evening outdoors can finally feel inviting.
Before you strike the match, take a few minutes to make sure your fire pit area is ready for fall.
Start with location. Set a fire pit on a level, noncombustible surface such as concrete, brick or patio blocks, not directly on dry grass or other vegetation. The National Fire Protection Association recommends keeping fire pits at least 10 feet from anything that can burn, including decks, siding, fences, overhanging branches and outdoor structures.
That distance matters even more after a dry summer. Even when evenings cool down, dormant grass, fallen leaves and other dry vegetation can catch a spark fast. Clear leaves, sticks and other debris from around the pit before you use it, and skip the fire on windy evenings.
Check whether your county or town has burn restrictions in place. Drought can linger well into fall, and local rules may change with fire danger. A fire that was fine one weekend may be a bad idea the next if conditions have worsened.
For wood-burning pits, use clean, dry, seasoned firewood. Don’t burn trash, treated lumber or painted wood. Never use gasoline or other flammable liquids to start or relight a fire. Commercial fire starters or ordinary kindling are much safer.
Once the fire is going, keep it manageable. A backyard fire pit doesn’t need to become a bonfire to keep you warm. Smaller fires are easier to control, throw fewer embers and are much easier to put out at the end of the evening.
Keep children and pets well away from the pit, and set chairs far enough back that no one sits directly over the heat or in the path of sparks. The NFPA recommends a three-foot child-free zone around the fire.
Look at what else is nearby before everyone settles in. Blankets, loose clothing, outdoor cushions and even the stack of firewood beside the pit can become hazards if they sit too close.
Keep a way to put out the fire within reach. A garden hose, a bucket of water or a shovel and dirt can all work, depending on your fire pit. Never leave a fire unattended, even if it seems to be dying down.
When the evening is over, make sure the fire is completely out. For a wood fire, water the coals, stir them and water them again until no heat, glow or flame remains. Let ashes cool completely, then store them in a metal container with a secure lid, away from anything that can burn.
A fire pit doesn’t need much to become one of the best parts of fall. A safe spot, a little preparation and a manageable fire are usually all it takes. Then all that’s left is finding a comfortable chair and enjoying an Oklahoma evening that is finally cool enough to stay outside.
Country Lifestyle
Canning 101
By NTFR Staff
It seems to happen every summer. The garden suddenly produces more tomatoes, cucumbers and green beans than anyone could possibly eat, and before long someone asks, “Maybe I should learn to can?”
For many families, canning is a tradition passed down for generations. For others, it’s a new hobby that offers the satisfaction of stocking pantry shelves with homegrown food. Either way, getting started can feel overwhelming. Pressure canners, boiling water baths, jars, lids, processing times and safety recommendations are enough to make anyone wonder where to begin.
Home canning isn’t difficult once you understand the basics.
Canning preserves food in sealed jars by heating them to destroy microorganisms and create a vacuum seal. The USDA approves only two methods for home canning: boiling water bath canning and pressure canning. Which one you use depends entirely on what you’re preserving.
A boiling water bath is exactly what it sounds like. You submerge filled jars completely in boiling water and process them for a specific amount of time. Because boiling water only reaches 212 degrees Fahrenheit at sea level, this method is safe only for foods that are naturally high in acid or have enough added acid to prevent dangerous bacteria from growing.
That makes water bath canning a good fit for jams, jellies, fruit preserves, pickles, chutneys, fruit butters and many tomato products that have the proper amount of bottled lemon juice or citric acid added according to a tested recipe.
Pressure canning works differently. A sealed canner traps steam, and the temperature climbs well above the boiling point of water to about 240 degrees Fahrenheit. That higher temperature is necessary to destroy Clostridium botulinum spores, which can survive ordinary boiling and produce the toxin that causes botulism.
Because of that, you must pressure can low-acid foods such as green beans, corn, carrots, potatoes, meats, poultry, seafood and soups. A boiling water bath isn’t safe for these foods, no matter how long you boil the jars.
For most beginners, water bath canning is the easiest place to start. The equipment costs less, the process is simpler and recipes like strawberry jam or dill pickles are forgiving enough to build confidence. Many people who enjoy preserving fruit eventually buy a pressure canner once they want to put up vegetables or homemade stock.
Pressure canning doesn’t need to be intimidating, either. Modern pressure canners include multiple built-in safety features and are far different from the exploding canners in the old stories many people heard decades ago. Like any kitchen tool, they’re safe when used according to the manufacturer’s directions and with tested recipes.
Whichever method you choose, one rule never changes: always use recipes that have been scientifically tested. Family recipes may taste wonderful fresh, but they aren’t always safe for canning. Changing ingredient amounts, thickening soups with flour, adding extra vegetables or reducing vinegar can all affect the safety of the finished product. The USDA and the National Center for Home Food Preservation remain the gold standards for home canning recipes and processing recommendations.
Today’s recommendations may also differ from the ones your grandparents followed. Research has improved over the years, and food safety guidance has changed with it. Methods like open-kettle canning, oven canning and sealing jars by turning them upside down are no longer considered safe for shelf-stable foods.
If you’ve never canned before, you don’t have to preserve an entire garden your first weekend. Start with one recipe. Learn how to prepare the jars, measure headspace, remove air bubbles and process them correctly. Once you hear that satisfying “ping” as the lids seal, you’ll understand why so many people find canning rewarding.
Opening a jar of peaches in January or serving homemade salsa long after the tomatoes are gone is a special kind of reward. With a little knowledge, the right equipment and a commitment to tested recipes, anyone can preserve the harvest safely for months to come.
Country Lifestyle
The Price You Pay
By Bryce Angell
My eyes are glued up to the shelf, a brand-new pair of Mucks. They’d be in my possession, but I lack the certain bucks.
I could go without my Pepsi for a month or maybe two. But the headache would be pounding like a freight train passin’ through.
I’ve got my Visa plastic for emergencies and such. The boots are kinda spendy. Do I really care that much?
I grab my precious cargo and I’m tingling to my roots. The clerk says, “Hundred eighty.” Must be gold in them there boots!
To purchase I can justify. It’s more than just a treat. No more sittin’ in the saddle with my cold and frozen feet.
I’ve waited days to wear them. Time to saddle up Ol’ Blue.
But my boots won’t fit the stirrups. What’s a broke cowboy to do?
The boots ain’t never goin’ back. I burned the dang receipt. My wife will never know the cost. Is that what’s called deceit?
The Co-Op might be open. I’ve seen stirrups there to buy. They close at 6:00 p.m. It’s 6:05 p.m. No use to even try.
I’ll drive out to the shoppin’ mall. They’ve got a western store. But their prices are extravagant, not for the country poor.
I’m riflin’ through the stirrups. Find a pair that fits my Mucks. I take ’em to the clerk. She says, “Two hundred twenty bucks.”
This time I cough and choke on down my Wrigley’s Spearmint chew. The clerk said, “Sure they’re spendy, but they’re made for guys like you.”
I wonder what she meant ’cuz I ain’t got the cash to spare. I swear she meant hi-rollers with their nose up in the air.
Still, I bought the brand-new stirrups with my plastic, once again.
Does it hurt to use my Visa card, every now and then?
The smuggish patrons, back in line, are giving me the stare.
They’re prob’ly thinkin’, “Poor cowboy.” I hurry out of there!
I’m addin’ up my purchases. Looks like four hundred bucks. And with the Gov’ner’s share I’m in the class of stupid clucks.
I burned the Visa card receipt, so that should take care of it from where I stand. I’m wonderin’ now if my warm feet are worth the half a grand?
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