Country Lifestyle
The Hemingway Project
By Jan Sikes
Imagine you’re a soldier returning home from Afghanistan or Syria or some other war-torn country. Maybe limbs are missing or your body is scarred in some other way. Or perhaps deep in the recesses of your mind, thoughts and emotions are twisted with guilt.
At what point do you decide you have nothing more to offer, and the world has nothing left to hold you?
It’s a question that smoldered deep inside singer/songwriter Dan Johnson’s mind as he struggled for decades to come to terms with his veteran father’s suicide that occurred the day before he turned eleven. Like thousands of others then and now, Johnson’s father returned home from war confused and in pain.
“My dad desperately needed someone to personally connect with him,” Johnson said.
Through the songs and stories on Hemingway project, Johnson has found an avenue to provide that vital connection. And while it is too late for his father, he is confident it isn’t too late for other veterans.
Johnson spoke candidly about the defining moment when he realized he had to step up and try to do something to help.
“It was a very specific moment for me,” he said. “I was doing a show at Hoot’s in Amarillo, Texas. The manager is a good friend, a Marine who came back with tremendous post-traumatic stress.”
Johnson paused. “I asked him about his new Facebook profile picture, a bloody red number twenty-two. He said he was part of ‘Twenty-Two Kill,’ and explained it is an organization that tries to help reduce veteran suicides through raising awareness. Then he told me there is an average of twenty-two veteran suicides per day. That nailed me to the wall.
“I couldn’t believe it. And while it seems extreme, I did the research and found it was accurate. A few days later, I had a thought. I play around two-hundred shows every year, and I have a microphone. If I ran into this guy in a bar (something tells me there’s somebody in every single bar I’m in) who has either been affected by or is currently struggling with thoughts of suicide.”
Johnson’s story always leads back to his own father.
“I thought about my dad, because as much as the awareness is important, my dad didn’t need public awareness,” Johnson said. “He needed someone to connect on a personal level, someone to tell him that while suicide may end his pain, it will only amplify it for his loved ones for the rest of their lives.”
That pain and long-lasting effects of his father’s suicide gives Johnson first-hand experience when counseling someone who is on the verge of taking his or her own life. He uses those words he wishes someone had said to his father and finds it strikes a chord of truth.
Exactly how was the Hemingway project born?
Johnson has been a huge fan of the writer Ernest Hemingway his entire life, so he visited Hemingway’s home in Key West, Fla. As the tour guide took the group through the house, Johnson lingered behind in Hemingway’s study where so many of the classic stories were written.
“His study is still identical to the way he left it with his typewriter and bourbon bottle. It was literally like he could walk back in at any moment,” Johnson said. “I stood there soaking up all the creativity that flowed through that room. It hit me hard how many people, like Hemingway, reach a point where they feel as if they don’t have enough left to give, and the world doesn’t have enough reasons for them to stay in it. And of course, then I thought of my father and how he took the Hemingway out. So, I wrote a big chunk of the song, ‘Hemingway,’ standing in Ernest Hemingway’s study.”
However, Johnson did nothing except play the song for some friends. While they were blown away by the powerful words, he still didn’t know what to do with it.
“After the night in Amarillo, everything shifted,” Johnson said. “I decided that I wanted to sing the “Hemingway” song in the middle of every show and use it to tell my dad’s story. So, that’s what I started doing.”
The results have been phenomenal.
The rest of the Hemingway project came together at a bar in Ireland where Johnson was doing a show. Following his performance, an American soldier approached and asked to buy him a drink. Then, the soldier, with tears in his eyes, told him that his words that night may have just saved his life. He described the isolation and pain he experienced each time he returned home on leave. Because of that, he was hiding out in Ireland on leave and staying drunk. He admitted to Johnson he’d about reached the end of his will to stay alive. That was until he listened to “Hemingway” and heard Johnson’s story about his dad.
Every song on Hemingway is deep and character-driven. Johnson brings the stories to life in each line, each lyric, each aching note.
The musical journey starts with “The Favor.” Haunting strands from a slide guitar set the mood. It is a dark story about newlyweds accosted in a Louisiana swamp by men intent on inflicting evil and harm. But, as the tables turn, Billy says these words to his new bride, “Babe, when the devil owes you a favor, you damn sure don’t ask why….”
The title song, “Hemingway,” is more than moving. It holds the power of a freight train loaded with TNT. It is everything all rolled up into one, with unforgettable lyrics.
Johnson’s strong baritone voice lends itself to the force of the song and pushes the message across. This story has a tragic, heartbreaking, too-human ending.
“Bloom,” tells of a young woman trying to find her wings. “Tom Waits For No One,” is the sad and lonely tale of a man waiting fruitlessly for his lover to return. Chilling and raw, “The Lone Gunman’s Lament,” is a story all-too-familiar for the many who have been forced to kill.
While there are various organizations who provide help to veterans in need, Johnson is taking the Hemingway project to the streets, to those too broken or ashamed to seek help. He is making those one-on-one connections that are vital in suicide prevention. Hemingway is an education, motivation, and intervention all rolled into one powerful campaign. Johnson dares to expose the naked, raw and sometimes ugly truth through words and music.
When Johnson teamed up with Texas novelist Travis Erwin to create short stories that accompany each song, it took the Hemingway project into a much broader spectrum. With a writing style much like Johnson’s, Erwin weaves stories together in an intricate web of multi-dimensional characters and situations that are masterfully intertwined.
From graphic violence to exquisitely tender moments, Hemingway is a journey that touches everyone in some way. No one is spared.
For more information about the project, the non-profit and Dan Johnson, visit http://www.operationhemingway.org.
Hemingway Lyrics
John was a soldier from deep down in Florida
He turned eighteen on Key West
The Army would get him as soon as they’d let him
He signed on the line to enlist
They all called him Hemingway
Because he spent every day
Cussing and fighting and drunk
And, lord he could tell you a story so well
You’d get wrapped in the yarns that he spun
So, Hemingway, tell us a tale
Of some great adventure
Or champions or fisherman
Or girls that put wind in men’s sails
Take us away
Hey, Hemingway
On the day that he turned nineteen
That cursed IED took off his legs at the thigh
Mangled and burned up
But thankful it turned out
The doctors at least saved one eye
Then they sent him home to his mom on the coast
They said, “Thanks for your service there, son.
This purple heart is a medal to mark
All the good for your country you’ve done.”
Through his personal hell
Not a soul would he tell
Too modest to speak of his pain
While innocent, ignorant well-meaning friends of his
Said it would all be okay
So, he just kept on swinging
As each blow kept stinging
Not sure how much longer he’d fight
And everyone asked him to tell them what happened
The day he almost lost his life
So, Hemingway, tell us a tale
Of some great adventure
The battles, the missions
The glory in how you prevailed
What do you say?
Hey, Hemingway
Last Saturday night as the vacancy sign
Beckoned to him from the road
With a bottle of bourbon
And a month’s worth of Percocet
Tucked in his camouflage coat
He reached for the Bible
And read for a while but nothing much seemed to stand out
So, in that little hotel room
When the Gideons fell through
He took the Hemingway out
Hemingway, tell us a tale
Of the young life they took from you
The darkness you’re going through
How we and the whole world have failed
There as you lay,
Hey, Hemingway
Country Lifestyle
When Peppers Bite Back
Most of us have been there. You take a bite of something that looks harmless enough, and within seconds, your mouth is on fire. Your eyes water, your nose runs, and suddenly you’re questioning every decision that led you to that moment. Whether it’s a jalapeño that packed more punch than expected or a sauce someone swore “wasn’t that bad,” peppers have a way of keeping people humble.
There is, however, a way to measure that heat before you ever take a bite. It’s called the Scoville scale, and it’s the standard used to rank just how hot a pepper can be. The measurement is expressed in Scoville Heat Units, or SHU. The higher the number, the more heat you can expect. A bell pepper sits at zero, meaning no heat at all. Jalapeños usually land somewhere between 2,500 and 8,000 SHU, while the upper end of the scale climbs into the millions.
The system dates back to 1912, when pharmacist Wilbur Scoville developed a method to test pepper heat. His approach was simple, if not a little impractical by today’s standards. Pepper extract was diluted with sugar water until a panel of tasters could no longer detect the burn. The more dilution required, the hotter the pepper. It worked, but it depended heavily on human perception, which is far from consistent.
Today, the process is far more precise. Instead of relying on taste, scientists measure the concentration of compounds called capsaicinoids using laboratory equipment. Those numbers are then converted into Scoville Heat Units. It takes the guesswork out of the equation and gives growers, processors, and consumers a reliable way to compare peppers.
Capsaicinoids are the group of compounds responsible for heat, with capsaicin being the main contributor. Contrary to what a lot of people believe, the seeds are not where the heat lives. Most of it is concentrated in the white inner ribs of the pepper. The seeds can seem hot because they come into contact with those oils, but removing the inner ribs is the most effective way to dial the heat back while keeping the flavor.
That burning sensation you feel isn’t actually heat in the traditional sense. Capsaicin interacts with receptors in your mouth that are designed to detect pain and temperature. Your brain reads that signal as burning, even though there’s no physical damage being done at typical levels. Depending on how much you’ve had, that sensation can linger anywhere from a few minutes to well over half an hour.
One thing worth keeping in mind is that not all peppers are created equal, even within the same variety. Growing conditions, soil, weather, and maturity all play a role in how much capsaicin a pepper develops. Two jalapeños from different fields, or even different plants in the same field, can vary more than you might expect.
At the far end of the scale are peppers that push the limits of what most people would consider edible. Varieties like the Carolina Reaper have recorded levels exceeding 2 million SHU. That’s well beyond the point of casual consumption and into territory where even a small amount can be overwhelming. While some people seek that level of heat for the challenge, it’s not something to take lightly.
For everyday use, the Scoville scale is less about chasing extremes and more about making informed choices. If you know your comfort level, you can select peppers that add flavor without overpowering a dish. It also helps explain why a recipe that calls for “one pepper” can turn out very differently depending on what you pick up at the store or out of the garden.
In the end, that moment when your mouth feels like it’s on fire isn’t as mysterious as it seems. There’s a system behind it, and a little understanding of the Scoville scale can go a long way in keeping your next bite from turning into a regret.
Country Lifestyle
Pollinators on the Ranch
When most people think about wildlife on a ranch, they probably picture deer slipping through the trees, turkeys moving across a pasture or quail flushing from cover. Those species matter, and many landowners manage with them in mind. But some of the most important wildlife on a farm or ranch is much smaller. Bees, butterflies, moths, beetles, flies, wasps, hummingbirds and even bats all play a part in keeping native plants and food systems working.
Pollinators move pollen from one flower to another, which allows many plants to produce seed, fruit and the next generation of growth. That matters in gardens and orchards, but it also matters in pastures, prairies and native rangeland. According to the article provided, the United States Department of Agriculture reports that 75 percent of the world’s flowering plants and about 35 percent of the world’s food crops depend on animal pollinators to reproduce.
For Oklahoma ranchers, pollinators are more than something nice to see on a warm afternoon. They are tied to plant diversity, soil cover, wildlife habitat and the overall health of the land.
A pasture with flowers, seed-producing plants and a mix of grasses and forbs usually supports more life than a pasture with only one or two plant types. That does not mean every acre has to look wild or unmanaged. It means diversity has value. A ranch that supports many kinds of plants can also support many kinds of insects. Those insects feed birds, turkey poults, quail chicks, bats and other wildlife. Some predatory insects also help keep pest insects in check.
Pollinators are a sign that something is working. If butterflies, bees and other beneficial insects are present, the land is likely offering food, cover and seasonal blooms. If they are absent, it may be worth asking why. There may not be enough flowering plants. Grazing pressure may be too heavy at the wrong time. Herbicide use may be reducing the plants pollinators need. The issue may be drought, timing or a lack of plant variety.
The monarch butterfly is one of the best-known examples. Monarchs need milkweed because it is the only food source for their caterpillars. Adult monarchs also need nectar plants, especially during migration. Oklahoma sits in an important part of that migration route. In spring, monarchs moving north need milkweed for reproduction. In fall, monarchs moving south need blooming plants for energy before continuing toward Mexico.
That fall food source can be easy to overlook. A pasture may have plenty of grass and still offer little for a migrating butterfly if there are no flowers in bloom. Late-season plants such as Maximilian sunflower, blazing star, goldenrod, asters and cowpen daisy can make a difference. In the Noble Research Institute article, Will Moseley said their monarch monitoring showed a simple result: butterflies were found where flowering plants were present, and they were not found where flowers were absent.
That is a useful lesson for any landowner. Pollinator habitat does not have to be complicated. It starts with plants.
For ranchers, the goal is not to turn working land into a flower bed. The goal is to manage in a way that leaves room for useful plants to grow, bloom and set seed. Grazing management can help. If the same pasture is grazed hard at the same time every year, the same plants may get set back again and again. Changing grazing timing, leaving rest periods and avoiding overuse can give more plants a chance to bloom. Rotational grazing, when planned well, can benefit both livestock and pollinators.
Prescribed fire can also be useful when used carefully and legally. Fire timing matters. Burning every acre the same way at the same time can favor some plants and reduce others. Varying burn timing across years and pastures can create a more mixed plant community. That variety can help pollinators, ground-nesting birds and grazing animals.
Herbicide use is another consideration. There are times when herbicides are needed, especially for invasive or problem plants. But broad use can also remove the forbs that bees and butterflies depend on. Spot spraying, proper timing and targeted control can help landowners manage weeds while keeping beneficial plants in the pasture. Every place is different, so the best plan depends on the ranch’s goals, plant community and problem species.
Pollinators also need nesting sites. Not all bees live in hives. In fact, many native bees nest in the ground, hollow stems or cavities in wood. Leaving some undisturbed areas, standing stems, brushy edges or bare patches of well-drained soil can support native bees. A perfectly clean landscape is often less useful to wildlife than one with some structure and variety.
Water can help as well. Shallow water sources, damp soil or safe access around ponds and tanks can be useful, especially during dry weather. The key is to avoid drowning hazards. Small stones, floating wood or shallow edges can give insects a place to land.
For landowners interested in beekeeping, honey bees can become another small enterprise. A few hives may provide honey for family, gifts or local sales. Local honey often has a strong market, and bees can fit well on small acreages or larger ranches. Still, honey bees are livestock and need management. New beekeepers should start small, learn from an experienced mentor and understand seasonal care before investing heavily. The Noble article shared advice from Josh and Brook Gaskamp, who recommended getting a mentor, starting small and experimenting until finding what works.
Beekeeping is not the only way to support pollinators, though. A person can help pollinators without owning a single hive. Planting native flowers, protecting milkweed, reducing unnecessary pesticide use and allowing some areas to bloom can all help. Even fence rows, field corners, creek banks and lightly used areas can become valuable habitat when managed with pollinators in mind.
Pollinators also add enjoyment to the land. There is something rewarding about seeing monarchs on fall flowers, bumble bees working a patch of blooms or hummingbirds visiting trumpet-shaped flowers near the house. Those moments remind landowners that a ranch is more than livestock, fences and forage. It is a living system.
For many producers, the practical reason to care about pollinators is simple. What helps pollinators often helps the whole ranch. More plant diversity can mean better soil cover, more wildlife habitat, more insects for birds, more seasonal forage options and a landscape that can better handle stress. Pollinators are part of that bigger picture.
A ranch does not have to be managed only for bees or butterflies to benefit them. In many cases, good land stewardship already points in the right direction. Avoid overgrazing. Encourage plant diversity. Leave some blooms. Be careful with chemicals. Think about timing. Watch what shows up.
The smallest wildlife on the ranch can tell a big story about the health of the land. When the flowers are blooming and the pollinators are working, it is a good sign the pasture is doing more than growing grass. It is supporting life from the ground up.
Country Lifestyle
Apple Fritter Quick Bread
Total Time: 1 hour and 40 minutes
Servings: 10
2 medium apples (any type), peeled, cored & diced
1/3 cup brown sugar
1 tsp cinnamon
1/2 cup unsalted butter, softened
2/3 cup granulated sugar
2 large eggs
1 1/2 tsp vanilla extract
1 1/2 cups all-purpose flour
1 3/4 tsp baking powder
1/2 cup milk
For the Glaze:
- 1/2 cup (60g) powdered sugar
1–2 tbsp milk
1/4 tsp vanilla extract
Instructions:
Preheat oven to 350°F. Grease and line a 9×5-inch loaf pan with parchment paper.
Peel and chop apples and place in a bowl with brown sugar and cinnamon. Toss and set aside.
In a large mixing bowl, cream together butter and granulated sugar until light and fluffy. Beat in eggs one at a time, then add vanilla. In a separate bowl, whisk together flour and baking powder. Gradually add dry ingredients to the butter mixture, alternating with milk, mixing until just combined.
Next, pour half of the batter into the loaf pan, top with half of the apple mixture, then repeat with remaining batter and apples. Lightly swirl with a knife for a marbled effect.
Bake for 50–55 minutes, or until a toothpick inserted in the center comes out clean.
Cool in pan for 10 minutes, then transfer to a wire rack to cool completely.
In a small bowl, whisk together powdered sugar, milk, and vanilla until smooth. Drizzle over cooled bread.
Slice and enjoy warm or at room temperature.
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