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October 2017 Profile: Kaitlin Butts

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Bringing Local Music Home
By Laci Jones

The Wild Rose Ranch in Lone Grove, Okla., features dogs named after famous country singers, donkeys named after movie characters and one curly, red headed singer who found herself in the country scene after being raised in the city.

Kaitlin Butts began singing at five years old, taking classes in musical theater, tap and jazz and performing in local productions of Broadway musicals. Unlike many country artists, Butts did not grow up listening to country music. Instead, she listened to Pop and Alternative genres.

While she did not listen to much country music, Butts did listen to Shania Twain, Tim McGraw and the Dixie Chicks in the ‘90s. By the time she was 15 years old, Miranda Lambert and Taylor Swift were making a mark in country music.

“My neighbor just started taking guitar lessons, and I asked him to send his guitar teacher over to my house,” Butts explained. “I was obsessed with all those bands and wanted to learn every one of Miranda Lambert’s songs. My first lesson, he taught me ‘Kerosene.’ That’s what got me started in country music.”

Butts explored the music genre, and found many of her favorite artists did not always write their own songs, and they sometimes cover classic artists. She listened to Miranda Lambert’s “The Way I Am,” originally recorded by Merle Haggard.

The rendition of the classic song inspired Butts to research songwriters and began scribbling lyrics. When asked if she remembers the first song she had ever written, she laughed and said, “No, probably something about my first kiss.”

Butts continued to perform at state fairs and other events, but she did not recognize the potential of having a career in the music industry without being at the top level, like Carrie Underwood and Miranda Lambert, she added.

“We don’t have any local artists playing on the radio like in Texas. I mean in Texas, you’re hearing a mix of nationally touring bands on the radio and then someone who’s playing down the street tonight is on the radio.”

Her desire to make a career in the music industry led her to attend the Academy of Contemporary Music at the University of Central Oklahoma after graduating from Union High School in 2011. At the ACM, Butts said she was one of few singers who specialized in country music. Many students at the university were in Indie Rock Bands.

“I just really wanted to play country, but bringing in that rock aspect to it and playing with good musicians expanded what I could do performance-wise,” Butts said.

After receiving her associate’s degree from ACM, the student talked to Reba McEntire’s former guitarist for 10 years and ACM professor, Chris Hicks. She asked for Hicks’ advice on pursuing a bachelor’s degree.

“He said, ‘Honestly, I think there are some people who need some time to grow at this school and in life. I think you’re ready and need to just go for it because I think you’ll learn a lot more out there actually doing it,’” the singer recalled.

Butts said she was thankful for the advice, and she began working on her first album. She drew inspiration for most of her songs from old boyfriends. The track that would also become the title of her album, “Same Hell, Different Devil,” stemmed from her ex-boyfriend leaving her for a “dancer.”

“I had really bad relationships and that was the grand fireworks finale,” she said. “Many of the songs are about bad relationships, because it was the worst thing that happened to me at the time.”

She worked with producer and owner of Boohatch studios in Ada, Okla., Mike McClure on the album.

“I hadn’t recorded anything before,” she explained. “He didn’t make me feel incompetent or like a new person on the scene. That’s what I appreciated because there can be some condescending folks in this industry who can make you feel small. He didn’t and that was a breath of fresh air.”

She walked in the eclectic studio with her guitar and said, “How and where do we start?” He said, “Well, let’s hear your songs.” The songwriter played her songs, and together they figured out tempos and laid down the tracks.

One of the tracks on the album was a cover of “God’s Going to Cut You Down,” which was also covered by Johnny Cash. While she particularly liked the Johnny Cash version of the powerful song, she made the cover her own by speeding up the tempo.

The music artist released “Same Hell, Different Devil” in February 2015. She continued to perform at local shows in Oklahoma City, where she caught audiences’ attention with her cover songs including Destiny’s Child’s “Say My Name.” The singer said the unexpected tracks caught people’s attention. She also entertained audiences with a few original tracks off her newly released album.

One day, someone called to tell the singer her song was playing on “The Ranch” in Fort Worth, Texas. Shortly after hearing her first song on the radio, Butts was offered to perform at the North Texas Fair & Rodeo in Denton, Texas. Other artist headlining were Courtney Patton and Erick Willis, who were performing original songs, inspiring the singer to follow suit.

“I started playing ‘Wild Rose.’ People were singing along, and that had never happened before,” she said. “My mom and aunt were in the audience crying. It was the most bizarre experience because I didn’t think anyone knew my songs.”

With her newfound success in Texas, the musician received requests from venues to come perform. She hit the road while continuing to ask questions and learn from her experiences. She performed Thursday through Sunday with a small break to come home, do laundry and repack.

She traveled to California, Georgia, Texas as well as other states across the country. One of her favorite venues to perform is the Magnolia Motor Lounge in Fort Worth, Texas, because of its “cool vibe” with a blend of a listening room and bar atmosphere.

“Depending on how you play your show, people will either be quiet or party,” she explained. “If you want your show to fluctuate— [the audience] will get quiet when you want them to get quiet, but if you start playing like Merle Haggard “I’ll think I’ll Just Stay Here and Drink,” they will start drinking and it’s really fun.”

Performing at a wide variety of venues can create wild scenarios. The 24-year-old said the most annoying situation that has ever happened at a show is someone joined her on stage and Snapchatted her while singing along.

“I was playing a sweet song like ‘Wild Rose,’ and I just thought it was disrespectful,” she added. “The wildest thing was having Red Dirt Randy get on stage and start singing. I liked him on stage because he was there to have fun and not Snapchat it.”

While the red head has an outgoing personality on stage, Butts said she becomes a recluse before each performance.

“I can talk anyone’s ear off for a long time, but right before the show, I need at least 20 minutes to just sit in quietness, be on my phone or listen to quiet music in my car.”

She is joined on stage by bass player Caleb Shirtum from Davis, Okla., drummer Walton McMurray from Ardmore, Okla., and guitar player Matt Hargis from Norman, Okla. Life on the road is full of laughter, she admitted.

“Every time I get onstage and introduce them, I don’t even say where they are from,” the lead singer joked. “For Caleb, I say that he’s from the Arbuckle Mountains. I say that Matt is from the Cleveland County Jail and Walton is from the bottom of the Red River,” Butts joked.

Recently, however, she has been “toning it down” on touring shifting her focus to songwriting.

“I’m just giving myself enough time to be alone with myself because when I wrote ‘Same Hell, Different Devil,’ I didn’t have jack going for me,” the songwriter began. “I wrote most of those songs in the summer when all my friends had gone home from college. I stayed in my little one-bedroom apartment in Oklahoma City by myself.”

While the songs on her previous album were written solo, Butts has made trips to Nashville, Tenn., to work with Angaleena Presley of the “Pistol Annies” on a few songs. As the songwriter   matured, her songwriting evolved.

“The worst thing that used to happen to me was a guy didn’t like me, and I don’t feel like I’m that person anymore,” she said. “Now, actual real life bad things have happened, and it just puts things in perspective.”

The currently untitled album will feature songs about alcoholism, substance abuse and divorce. Butts has also written a sequel to “Wild Rose” as well as a song about a nursing home in Oklahoma City where she regularly performs. While the album does not have a title yet, she hopes it will be released in 2018.

She will also have one love song featured on the album about current

boyfriend and lead singer for “Flatland Cavalry,” Colletto “Cleto” Cordero. When he was working on the album “Humble Folks,” one of his friends suggested he make the song “A Life Where We Work Out” into a duet.

While everyone in the band was asleep in the van, except for Cordero who was driving, Butt’s song “Gal Like Me” played on the radio. Once Cordero identified the singer, he invited the red headed music artist to sing on Flatland Cavalry’s album.

After recording the track “A Life Where We Work Out” with Flatland Calvary, she went on the road with the Texas band. Butts and Cordero became good friends, but the road brought them closer together.

“We just had undeniable chemistry where everything just felt easy in a comfortable way,” she said of Cordero. “It just felt like home.”

When asked where she sees herself in five years, Butts said she expects to have a family while balancing her passion for songwriting and performing.

The red headed music artist will be performing at the Cheatham Street Warehouse in San Marcos, Texas, and at the Ziegenbock Festival in Houston, Texas, on Oct. 6 and Oct. 14, respectively. To book Kaitlin Butts, visit www.kaitlinbutt.com.

This article originally appeared in the October 2017 issue of Oklahoma Farm & Ranch. 

Country Lifestyle

When Peppers Bite Back

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Most of us have been there. You take a bite of something that looks harmless enough, and within seconds, your mouth is on fire. Your eyes water, your nose runs, and suddenly you’re questioning every decision that led you to that moment. Whether it’s a jalapeño that packed more punch than expected or a sauce someone swore “wasn’t that bad,” peppers have a way of keeping people humble.

There is, however, a way to measure that heat before you ever take a bite. It’s called the Scoville scale, and it’s the standard used to rank just how hot a pepper can be. The measurement is expressed in Scoville Heat Units, or SHU. The higher the number, the more heat you can expect. A bell pepper sits at zero, meaning no heat at all. Jalapeños usually land somewhere between 2,500 and 8,000 SHU, while the upper end of the scale climbs into the millions.

The system dates back to 1912, when pharmacist Wilbur Scoville developed a method to test pepper heat. His approach was simple, if not a little impractical by today’s standards. Pepper extract was diluted with sugar water until a panel of tasters could no longer detect the burn. The more dilution required, the hotter the pepper. It worked, but it depended heavily on human perception, which is far from consistent.

Today, the process is far more precise. Instead of relying on taste, scientists measure the concentration of compounds called capsaicinoids using laboratory equipment. Those numbers are then converted into Scoville Heat Units. It takes the guesswork out of the equation and gives growers, processors, and consumers a reliable way to compare peppers.

Capsaicinoids are the group of compounds responsible for heat, with capsaicin being the main contributor. Contrary to what a lot of people believe, the seeds are not where the heat lives. Most of it is concentrated in the white inner ribs of the pepper. The seeds can seem hot because they come into contact with those oils, but removing the inner ribs is the most effective way to dial the heat back while keeping the flavor.

That burning sensation you feel isn’t actually heat in the traditional sense. Capsaicin interacts with receptors in your mouth that are designed to detect pain and temperature. Your brain reads that signal as burning, even though there’s no physical damage being done at typical levels. Depending on how much you’ve had, that sensation can linger anywhere from a few minutes to well over half an hour.

One thing worth keeping in mind is that not all peppers are created equal, even within the same variety. Growing conditions, soil, weather, and maturity all play a role in how much capsaicin a pepper develops. Two jalapeños from different fields, or even different plants in the same field, can vary more than you might expect.

At the far end of the scale are peppers that push the limits of what most people would consider edible. Varieties like the Carolina Reaper have recorded levels exceeding 2 million SHU. That’s well beyond the point of casual consumption and into territory where even a small amount can be overwhelming. While some people seek that level of heat for the challenge, it’s not something to take lightly.

For everyday use, the Scoville scale is less about chasing extremes and more about making informed choices. If you know your comfort level, you can select peppers that add flavor without overpowering a dish. It also helps explain why a recipe that calls for “one pepper” can turn out very differently depending on what you pick up at the store or out of the garden.

In the end, that moment when your mouth feels like it’s on fire isn’t as mysterious as it seems. There’s a system behind it, and a little understanding of the Scoville scale can go a long way in keeping your next bite from turning into a regret.

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Country Lifestyle

Pollinators on the Ranch

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When most people think about wildlife on a ranch, they probably picture deer slipping through the trees, turkeys moving across a pasture or quail flushing from cover. Those species matter, and many landowners manage with them in mind. But some of the most important wildlife on a farm or ranch is much smaller. Bees, butterflies, moths, beetles, flies, wasps, hummingbirds and even bats all play a part in keeping native plants and food systems working.

Pollinators move pollen from one flower to another, which allows many plants to produce seed, fruit and the next generation of growth. That matters in gardens and orchards, but it also matters in pastures, prairies and native rangeland. According to the article provided, the United States Department of Agriculture reports that 75 percent of the world’s flowering plants and about 35 percent of the world’s food crops depend on animal pollinators to reproduce.

For Oklahoma ranchers, pollinators are more than something nice to see on a warm afternoon. They are tied to plant diversity, soil cover, wildlife habitat and the overall health of the land.

A pasture with flowers, seed-producing plants and a mix of grasses and forbs usually supports more life than a pasture with only one or two plant types. That does not mean every acre has to look wild or unmanaged. It means diversity has value. A ranch that supports many kinds of plants can also support many kinds of insects. Those insects feed birds, turkey poults, quail chicks, bats and other wildlife. Some predatory insects also help keep pest insects in check.

Pollinators are a sign that something is working. If butterflies, bees and other beneficial insects are present, the land is likely offering food, cover and seasonal blooms. If they are absent, it may be worth asking why. There may not be enough flowering plants. Grazing pressure may be too heavy at the wrong time. Herbicide use may be reducing the plants pollinators need. The issue may be drought, timing or a lack of plant variety.

The monarch butterfly is one of the best-known examples. Monarchs need milkweed because it is the only food source for their caterpillars. Adult monarchs also need nectar plants, especially during migration. Oklahoma sits in an important part of that migration route. In spring, monarchs moving north need milkweed for reproduction. In fall, monarchs moving south need blooming plants for energy before continuing toward Mexico.

That fall food source can be easy to overlook. A pasture may have plenty of grass and still offer little for a migrating butterfly if there are no flowers in bloom. Late-season plants such as Maximilian sunflower, blazing star, goldenrod, asters and cowpen daisy can make a difference. In the Noble Research Institute article, Will Moseley said their monarch monitoring showed a simple result: butterflies were found where flowering plants were present, and they were not found where flowers were absent.

That is a useful lesson for any landowner. Pollinator habitat does not have to be complicated. It starts with plants.

For ranchers, the goal is not to turn working land into a flower bed. The goal is to manage in a way that leaves room for useful plants to grow, bloom and set seed. Grazing management can help. If the same pasture is grazed hard at the same time every year, the same plants may get set back again and again. Changing grazing timing, leaving rest periods and avoiding overuse can give more plants a chance to bloom. Rotational grazing, when planned well, can benefit both livestock and pollinators.

Prescribed fire can also be useful when used carefully and legally. Fire timing matters. Burning every acre the same way at the same time can favor some plants and reduce others. Varying burn timing across years and pastures can create a more mixed plant community. That variety can help pollinators, ground-nesting birds and grazing animals.

Herbicide use is another consideration. There are times when herbicides are needed, especially for invasive or problem plants. But broad use can also remove the forbs that bees and butterflies depend on. Spot spraying, proper timing and targeted control can help landowners manage weeds while keeping beneficial plants in the pasture. Every place is different, so the best plan depends on the ranch’s goals, plant community and problem species.

Pollinators also need nesting sites. Not all bees live in hives. In fact, many native bees nest in the ground, hollow stems or cavities in wood. Leaving some undisturbed areas, standing stems, brushy edges or bare patches of well-drained soil can support native bees. A perfectly clean landscape is often less useful to wildlife than one with some structure and variety.

Water can help as well. Shallow water sources, damp soil or safe access around ponds and tanks can be useful, especially during dry weather. The key is to avoid drowning hazards. Small stones, floating wood or shallow edges can give insects a place to land.

For landowners interested in beekeeping, honey bees can become another small enterprise. A few hives may provide honey for family, gifts or local sales. Local honey often has a strong market, and bees can fit well on small acreages or larger ranches. Still, honey bees are livestock and need management. New beekeepers should start small, learn from an experienced mentor and understand seasonal care before investing heavily. The Noble article shared advice from Josh and Brook Gaskamp, who recommended getting a mentor, starting small and experimenting until finding what works.

Beekeeping is not the only way to support pollinators, though. A person can help pollinators without owning a single hive. Planting native flowers, protecting milkweed, reducing unnecessary pesticide use and allowing some areas to bloom can all help. Even fence rows, field corners, creek banks and lightly used areas can become valuable habitat when managed with pollinators in mind.

Pollinators also add enjoyment to the land. There is something rewarding about seeing monarchs on fall flowers, bumble bees working a patch of blooms or hummingbirds visiting trumpet-shaped flowers near the house. Those moments remind landowners that a ranch is more than livestock, fences and forage. It is a living system.

For many producers, the practical reason to care about pollinators is simple. What helps pollinators often helps the whole ranch. More plant diversity can mean better soil cover, more wildlife habitat, more insects for birds, more seasonal forage options and a landscape that can better handle stress. Pollinators are part of that bigger picture.

A ranch does not have to be managed only for bees or butterflies to benefit them. In many cases, good land stewardship already points in the right direction. Avoid overgrazing. Encourage plant diversity. Leave some blooms. Be careful with chemicals. Think about timing. Watch what shows up.

The smallest wildlife on the ranch can tell a big story about the health of the land. When the flowers are blooming and the pollinators are working, it is a good sign the pasture is doing more than growing grass. It is supporting life from the ground up.

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Country Lifestyle

Apple Fritter Quick Bread

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Total Time: 1 hour and 40 minutes

Servings: 10

2 medium apples (any type), peeled, cored & diced 

1/3 cup brown sugar

1 tsp cinnamon

1/2 cup unsalted butter, softened

2/3 cup granulated sugar

2 large eggs

1 1/2 tsp vanilla extract

1 1/2 cups all-purpose flour

1 3/4 tsp baking powder

1/2 cup milk

For the Glaze:

  • 1/2 cup (60g) powdered sugar

1–2 tbsp milk

1/4 tsp vanilla extract

Instructions:

Preheat oven to 350°F. Grease and line a 9×5-inch loaf pan with parchment paper.

Peel and chop apples and place in a bowl with brown sugar and cinnamon. Toss and set aside.

In a large mixing bowl, cream together butter and granulated sugar until light and fluffy. Beat in eggs one at a time, then add vanilla. In a separate bowl, whisk together flour and baking powder. Gradually add dry ingredients to the butter mixture, alternating with milk, mixing until just combined.

Next, pour half of the batter into the loaf pan, top with half of the apple mixture, then repeat with remaining batter and apples. Lightly swirl with a knife for a marbled effect.

Bake for 50–55 minutes, or until a toothpick inserted in the center comes out clean.

Cool in pan for 10 minutes, then transfer to a wire rack to cool completely.

In a small bowl, whisk together powdered sugar, milk, and vanilla until smooth. Drizzle over cooled bread.

Slice and enjoy warm or at room temperature.

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