Country Lifestyle
February 2018 Profile: Kathryn Leitner
Drawing Inspiration
By Laci Jones
Grasping several colored pencils in her left hand and one bright orange pencil in her right hand, western artist Kathryn Leitner peered over her glasses at her latest work of art. Periodically glancing at the image of a horse displayed on the computer screen, the artist gracefully added another layer of color to the vibrant drawing in front of her.
Self-described as “realism,” Leitner’s art captures the western heritage by telling a story. However, her story began in eastern Montana on her grandparent’s ranch. The oldest of five children, Leitner stated her “rural roots” come from traditional ranching.
“We had chickens and a milk cow,” she added. “We had beef cattle and a little bit of hay. It was very traditional.”
All her siblings are artistic in some fashion, and Leitner is no exception. Leitner was first exposed to drawing at an early age. She recalled picking up pencil and sketchbook during her first-grade year, and her parents giving her “how to draw” books.
Two years later, the family moved from her grandparent’s ranch north of Winnett, Mont., to Lewistown, Mont. They later relocated to California during her freshman year of high school. While adjusting to the urban lifestyle was difficult for Leitner, experiencing a different culture had an impact on the young student.
“It was a culture shock, but I think you gain things from everywhere you are,” she explained. “We learned to be a lot more self-sufficient, strong and confident. You either decide you like it or you decide that you really appreciate where you came from, so it definitely made me appreciate my roots.”
Her family was supportive of her art, but the first teacher who encouraged her was her fifth-grade art teacher. Leitner developed her skill in high school art classes, describing the experience as “instrumental.” She learned different techniques, experimenting with mostly graphite. However, she also took a painting class using acrylic.
Leitner’s talents were not only with a pencil and paper; she also graduated from beauty school. In 1989, she moved with her grandmother, who relocated to western Oklahoma. The Montana native started working in a salon, and her son Justin was born in 1990. She met and married Jack Leitner three years later.
She opened her own salon at their home in 1994 west of Kingfisher, Okla. With the support of her family and the success of the beauty shop, Leitner was able to further her art. When she started her art, she initially struggled with the thought that it was a “selfish pursuit.”
“I thought you had to be famous to sell your art for a lot of money, and you really aren’t supposed to want fame,” Leitner explained. “I struggled with that, but I read a Max Lucado book called the ‘Cure for the Common Life: Living in your Sweet Spot.’ It talks about how God packs your gifts and he packs your bag and that’s what you’re supposed to use. They are your gifts; you’re not supposed to hide them.”
That book had an impact on Leitner, and she said things began to fall into place when she decided how to use her gift. She found her passion in drawing and painting the western heritage. She observed many ranchers in their everyday activities to help tell a story through her art.
“I really respect that lifestyle,” Leitner said. “It’s not easy ever, but it’s so rewarding. The chance to go out and ride with them, talk with them, spend the day with them, that’s how you’re able to tell their story.”
She works primarily from the photographs taken at different ranches including Tongue River Ranch. Leitner makes at least four trips each year to different ranches to take several thousand photos. The artist develops a relationship with all the cowboys who work on the ranches and their families.
“I always appreciate the opportunity to get material for my art,” she added. “It’s way more than that because you get to know those people, and you don’t always know how you’re going to be blessed by your gift. I can’t count the ways.”
The “beautiful opportunities” to use her gift are rewarding, but it is also a long process. From the time she takes the photos at the ranches to selling the finished art can take up to two years.
After returning from a trip, Leitner analyzes each photo and starts her sketch on vellum from several different photos. The variety of photos from the same moment helps the artist create the story she wants to tell. She has experimented with various mediums throughout her career.
“I mainly concentrated on graphite until my husband bought me a large set of colored pencils,” she chuckled. “I honestly had them nine months before I ever got the nerve to try them because it was intimidating. I always used just graphite—then all of a sudden I had all these colors.”
Leitner also began working with oils, learning from fellow artists.
“I took a class with Bob Faust from Okarche, Okla., who was giving art classes, and I started taking oil painting classes with him for quite a few years,” she explained.
The artist later took classes from Dennis Parker in Oklahoma City.
She also visited the National Cowboy & Western Heritage Museum in Oklahoma City, stating it was “the first exposure I really had to a lot of good art.” She garnered inspiration from these trips, and started participating in workshops with the featured artists including Carrie Ballantyne and Lisa Ann Watkins.
Leitner said she was inspired by watching Ballantyne because her portraits have a “feminine softness.” Watkins works with watercolor pencils, which inspired Leitner to attempt to use the medium. Leitner said watercolor pencils give the underlaying without the “graininess” of a colored pencil.
“I’ve used the watercolor pencils, but I haven’t added water to them,” she began. “I just used them in conjunction with my colored pencils. When you add the water to it, you lose a little bit of the control you have with the pencils being dry, then you have to go back over and add detail.”
Her initial watercolor pencil piece presented Leitner with a few shade challenges where she had to work to “get my lights to come back out.” Despite her initial intimidation, colored pencils are her favorite medium to work with.
“I always go back to the colored pencil because I like the detail,” the artist explained. “They challenge you a little bit more to get your values strong and your colors bright that somehow have a soft, gentle look when you’re finished. I like that.”
While the time dedicated to each piece varies, the artist said she averages 30 to 60 hours. However, Leitner said she was once hesitant to keep track of hours until she participated in a workshop with the president of the Traditional Cowboy Artists, Wilson Capron.
“He said, ‘If you really want this to be a business, you have to treat it like one,’” she recalled. “I really started being more dedicated.”
She logs her hours in a notebook, completing 12 to 18 pieces each year. This has helped her justify the pricing of each piece.
“You would think that seems like a lot of money, but I have 30, 40 or 60 hours invested in a piece,” she explained. “Some have taken two and a half weeks’ worth of work if you’re working a 40-hour week because of all the detail and all the figures.”
The artist said it was once difficult for her to stay motivated with her art. Leitner later realized staying motivated is easier with an organized workspace and structured lifestyle.
“Discipline is really important if you want to take this serious,” she added. “If I can get rid of my distractions, then it’s a part of my blessing that I get to do my art because when I’m doing it, I’m happy.”
To learn more about Kathryn Leitner and her art, pick up the February issue of OKFR!
Country Lifestyle
The Almanac: Old Wisdom, New Uses
By Savannah Magoteaux
It may seem old-fashioned in today’s world of instant weather apps and precision farming tools, but for generations, farmers and ranchers have kept something tucked alongside their feed store receipts and fencing pliers: the almanac.
If you’ve ever wondered what makes an almanac different from a regular calendar—or how you can actually use one on the farm today—you’re not alone. The truth is, there’s a reason the almanac has stuck around for more than two centuries. It’s part tradition, part practical guide, and part good old country common sense.
What Exactly Is an Almanac?
At its simplest, an almanac is an annual publication that contains a wide variety of information:
- Weather forecasts (both short-term and long-range)
- Moon phases and sunrise/sunset times
- Best days for planting, harvesting, and other chores
- Tide tables
- Astronomical data (eclipses, meteor showers)
- Farming advice
- Home and garden tips
- Folk wisdom and humor
The Old Farmer’s Almanac, founded in 1792, is probably the most famous, but there are many versions today—including regional editions designed for specific areas of the country.
What sets an almanac apart is that it doesn’t just tell you what is happening; it often tells you when and how to do things based on seasonal rhythms, tradition, and long-standing patterns of nature.
How Are Almanac Predictions Made?
One of the most famous parts of the almanac is its weather forecast section.
While the exact methods are often kept secret, most almanacs combine:
- Historical weather patterns
- Solar cycles (like sunspots)
- Lunar phases
- Meteorological data
They aren’t as precise as modern radar forecasts, but they’re designed to give a general idea of what to expect for an upcoming season. Many readers use them more for planning and tradition than strict prediction.
Interestingly, some almanacs claim accuracy rates of around 80%, though independent studies suggest they’re closer to 50–60%. Still, for long-range planning—like when to schedule planting, hay cutting, or even branding days—many farmers find them helpful.
How to Use an Almanac Today
If you flip open an almanac today, you’ll find it offers much more than weather. Here are a few practical ways to use one on your farm or ranch:
- Planting by the Moon: Many people still plant certain crops according to the waxing and waning of the moon, believing that different phases influence root growth, fruit production, or hardiness.
- Scheduling Hay or Harvest: Long-range dry or wet forecasts can help you pick safer windows for cutting and baling hay.
- Livestock Planning: Some ranchers time breeding, calving, or vaccinations according to signs in the almanac (or at least avoid unlucky dates!).
- Gardening Tips: Almanacs are packed with advice on companion planting, pest control, and organic practices.
- Household Projects: Need to set fence posts or pour concrete? Some almanacs recommend the best days for setting things in the ground to “set stronger.”
Even if you don’t follow it to the letter, it can still offer a broader way of thinking seasonally—something that technology sometimes encourages us to forget.
Tradition Meets Technology
Many almanacs now have companion websites and apps, offering digital versions of their classic wisdom.
Still, there’s something satisfying about flipping through a paperback almanac, circling dates, and marking notes in the margins just like the generations before us.
It’s a reminder that even in a high-tech world, farming and ranching are still closely tied to the rhythms of nature—and a little old-school wisdom never hurts.
References:
- The Old Farmer’s Almanac – https://www.almanac.com
- Farmers’ Almanac – https://www.farmersalmanac.com
- University of Illinois Extension – Understanding the Farmer’s Almanac Weather Predictions
- National Weather Service – Historical Weather Patterns
SIDEBAR_
5 Fun Facts About the Almanac
1. It’s Older Than the U.S. Constitution.
The Old Farmer’s Almanac was first published in 1792—one year after George Washington was elected President.
2. There’s a “Secret Formula” for Weather Predictions.
The Old Farmer’s Almanac claims it uses a top-secret mathematical formula, created by its founder Robert B. Thomas, that factors in sunspots, tidal action, and planetary positions.
3. It’s Not Just One Almanac.
There are actually several famous almanacs, including the Old Farmer’s Almanac and the Farmers’ Almanac, and they’re produced by different companies with slightly different forecasting methods.
4. Moon Phases Matter.
Many planting and farming guides in the almanac are based on the waxing and waning of the moon. According to tradition, above-ground crops do better when planted during a waxing moon, and root crops thrive during a waning moon.
5. It Once Had a Hole in the Corner.
Early editions of the almanac were printed with a hole punched through the corner. Why? So farmers could hang them on a nail in the barn or outhouse for easy reading (and sometimes, as a backup to toilet paper)!
Country Lifestyle
The Sounds of the Country
Daylight in the country is busy. There are engines, gates, dogs, birds, wind, and people moving with purpose. Even when it feels quiet, there is usually something making noise. It is familiar noise, the kind you stop noticing because it belongs there.
Night is different.
When the sun drops and the work winds down, the sounds change. Some disappear entirely. Others step forward like they were waiting their turn. It is only then that you realize how much the land talks after dark.
The first thing most people notice is how far sound carries at night. Voices travel farther. A truck door slams a half mile away and still feels close. Coyotes sound like they are just beyond the fence, even when they are scattered across an entire section.
There are reasons for that. Cooler nighttime air is denser, allowing sound waves to move more efficiently. During the day, sunlight heats the ground unevenly, creating air layers that bend and scatter sound. At night, temperatures even out, and sound travels straighter and farther. The land does not get louder. You just hear more of it.
Coyotes are often the headliners. Their howls, yips, and barks are not random noise. They are communication. A single howl can be a location check. Group yipping can signal territory or reunite scattered pack members. What sounds like chaos is often a coordinated conversation that carries for miles.
Owls tend to follow. Great horned owls announce themselves with deep, rhythmic calls that sound older than fences and roads. Barred owls ask their unmistakable questions from creek bottoms and timber. These calls serve the same basic purpose as the coyotes’. Territory, presence, and pair bonding, all broadcast into the dark.
Insects fill the gaps. Crickets and katydids create a steady background hum that changes with temperature and season. In late summer, their calls are loud enough to drown out distant traffic. In early fall, the rhythm slows. By winter, silence settles in where that sound once lived.
Frogs take over after rain. Stock tanks, ditches, and low spots become stages. Each species has its own call, its own timing, its own volume. To someone unfamiliar with rural nights, it can sound overwhelming. To those who live with it, it becomes reassurance that water is present and life is moving.
Livestock contribute their own nighttime sounds. A cow bawling for a calf. Horses shifting and blowing softly in the dark. The occasional thump of hooves when something unseen moves through the pasture. These noises are usually brief, but they catch your attention because they break the expected rhythm.
Some sounds are seasonal. In the fall, migrating birds pass overhead, calling to one another in the dark as they navigate by stars and landmarks. In spring, night birds return, filling the air with calls that have been absent for months. The land sounds different when life is arriving versus when it is leaving.
What surprises many people is how much quieter the country can be without human interference. With fewer buildings, less traffic, and minimal artificial lighting, natural sounds are not masked the way they are in towns and cities. Even distant highways fade into the background, leaving space for subtler noises to emerge.
That quiet can feel uncomfortable at first. Silence magnifies small sounds. A branch snapping or leaves shifting can sound larger than it is. Over time, you learn what belongs and what does not. The land teaches you what is normal.
Nighttime sounds also slow you down. There is less pressure to move, to fix, to finish. Sitting on a porch or leaning against a fence, you start to listen instead of scanning. The dark removes visual distractions, leaving only sound to tell the story.
Those sounds carry information. Weather is changing. Animals are moving. Seasons are turning. Without realizing it, you begin to recognize patterns. You notice when the coyotes are quieter than usual, or when frogs call earlier than expected. The land speaks in small signals long before anything obvious happens.
Most of these sounds go unnoticed unless you stop and listen. They are not dramatic on their own. They do not demand attention. But together, they form the soundtrack of rural life after dark.
In a world that rarely slows down, nighttime in the country offers something increasingly rare. A chance to listen without interruption. To notice what has always been there. To understand that even when the lights are off and the work is done, the land never really rests.
Country Lifestyle
Growing Something Better
By Beth Watkins
There’s something about springtime that makes folks want to open windows, clean out closets, and maybe even peek out the front door to see if the neighbors are still alive and ready for a cookout. After a long winter of confusing, seesawing temperatures—where you needed shorts one day and a parka the next—March just rolls in with her own mysterious mood swings. Will she bring warm breezes and wild daffodils, or will she slap us with a late snowstorm and the flu for good measure?
March is the season of new growth. The earth starts greening up, baby calves find their legs, and every hardware store in the county sells out of tomato plants. Folks start making ambitious garden plans, fueled by equal parts hope, memory loss about last year’s weeds, and the siren song of heirloom seed catalogs. You find yourself petting baby chicks at Atwoods, thinking, “How hard can it be?” while conveniently forgetting you once killed a cactus.
But maybe this year, along with our gardens and yards, it’s time we put a little effort into growing something else: personal responsibility. And maybe even—brace yourself—neighborly love.
Now, I’m not talking about the kind of neighborly love where you let someone move in with their three untrained dogs, six boxes of drama, and a Wi-Fi password they never stop using. I mean the kind where we treat folks with basic kindness and decency, without expecting them to carry our groceries, fix our fences, or raise our children.
Somewhere along the way, it seems like society forgot that love and enabling are two different things. The Bible says to love your neighbor as yourself. It does not say to take your neighbor on as a dependent. Yet more and more, we’re seeing an attitude of entitlement blooming like crabgrass in what used to be tight-knit, self-reliant communities.
There was a time when being called “self-sufficient” was a compliment. It meant you could patch a roof with tar and a prayer, make a pot of beans stretch a week, and wrangle your own problems without immediately calling the government, your mama, or Channel 5 News. You didn’t expect handouts—you offered a hand up when someone else truly needed it. But lately, some folks have gotten real comfortable hollering “help me!” before they’ve even tried standing up on their own two feet.
Case in point: a woman on social media said she needed her oil changed and a chicken coop built. She had the supplies but no funds to pay for help. Fair enough—times are tough. But the very next day, she posted photos of her estate sale haul, bragging about how she “only” spent $400. Not even a month later, she’s showing off her custom steel gate entryway. Clearly it’s not a money shortage—it’s a priority misplacement.
That kind of thinking doesn’t just stunt personal growth—it chokes the roots of the community. I know people need help, and we are called to love our neighbors, but let’s get real, folks. Last year’s gold medal for gall goes to the woman hosting her child’s backyard birthday party who posted: “Can anyone bring enough food for about twenty people? The child loves spaghetti with all the trimmings, and a cake. Please deliver it hot, at party time.” You think I’m kidding? I’m not. I’m still in shock.
We weren’t meant to live like hermits, but we weren’t meant to sponge off the folks who are doing the work either. There’s a balance somewhere between “do-it-all-yourself survivalist” and “the world owes me a living.” And that sweet spot is where real growth happens.
Spring is a perfect reminder of that. You can’t just toss seeds in the dirt and expect a harvest. You have to work the soil, pull the weeds, and show up every day—even when it’s hot, dry, or swarming with grasshoppers. Same goes for character. You’ve got to tend it. Cultivate it. And not just when people are watching.
If you want a better world, you’ve got to start in your own backyard. Literally and figuratively. Pick up the trash that blew into your fence line, and since it came from your poly cart, go grab your soda can out of your neighbor’s yard too. Wave at your neighbor, even if he insists on mowing in Crocs and tube socks and blowing his grass trimmings into the street. A little physical kindness can go a long way.
I grew up being taught that if someone was struggling, lost a loved one, or just got over an illness, you found a way to help—even if it was just sending over a casserole. Honestly, our first instinct should be to offer help, not because we want a parade in our honor, but because it’s the right thing to do. If you’re swamped with work or kids or life, send a food gift card. If you’re short on funds, offer to mow a lawn, babysit for an hour, or just check in.
We should teach our kids and grandkids that it’s natural to struggle. That hard work isn’t punishment—it’s how things get built. It’s how we move forward. Asking for help in a crisis is fine, but leaning on others indefinitely is no way to grow tall and strong. A goal shouldn’t be “how do I get the best handouts” but rather, “how do I build a life I’m proud of?”
We all need each other, but we also need to pull our own weight. Otherwise, this whole wagon’s going to tip. There are programs out there to help folks get back on their feet, but they aren’t just hangouts—they’re meant to be springboards. To break the cycle. To build something better.
So maybe this spring, as the world begins to thaw and bloom again, take a quiet moment to reflect on the life you’re growing—both inside and out. Ask yourself what kind of neighbor you are. Are you showing love, or just expecting it? Are you helping things bloom, or draining the rain barrel?
There’s still a lot of good in this world. I see it every day—in farmers helping neighbors fix fence after a storm, in church ladies who deliver meals without a fuss, in kids learning to shake hands and look folks in the eye. But good doesn’t grow on its own. It takes effort. It takes intention. And sometimes it takes a little tough love with a smile.
So here’s to spring: the season of new beginnings, fresh starts, and maybe, just maybe, a collective shift back to kindness, accountability, and old-fashioned neighborly grace.
Let’s roll up our sleeves, open the windows, clean out the cobwebs. Let’s go through our closets and our abundance, and donate to local places that help people get back on their feet—places that believe in a hand up, not just a handout. That’s how we grow something better.
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